Reel Big Fish’s cover of “Take On Me” remains proof of society’s need for ska-punk
Dylan Masvidal | Staff Writer Reel Big Fish’s cover of “Take On Me” is a drug, and I’ve been fiending for a fix for the last…
Reviews
“Cypress Hill III: Temples of Boom” turns funky raps into frightening realities
Dylan Masvidal | Staff Writer If De La Soul declared three to be the “magic number,” Cypress Hill saw it as witchcraft, moving them closer…
“The Crow” Remake Alternates Between Uninspired Schlock and Narrative Desecration
Dylan Masvidal | Staff Writer Regarding rancid studio-driven “reimaginings,” few feelings come close to the high one gets as they let loose a proverbial pit…
Nostalgic memories and the true essence of Parannoul
Bryan Baste | Staff Writer Parannoul is a shoegaze, noise pop, emo artist from South Korea, and while they are a recent success, with their…
brat, but it’s actually just a review for the album, and I liked it, by the way.
Bryan Baste | Contributing Writer I don’t listen to a ton of EDM-type pop in my free time so the names of SOPHIE and A.G…
New Sci-Fi Horror film from “Ex-Machina” director surpasses expectations
By Erik Jimenez Back in spring of 2015, “28 Days Later” and “Dredd” writer Alex Garland surprised the world with his directorial debut “Ex-Machina.” While…
Top Ten Sick Flicks of 2015
There is still time to catch some of these films on the big screen.
Andrew St. James reveals his musical talent to the world
Contributing writer Natalie Bojorquez reviews Andrew St. James “Doldrums.”
Sleeper Agent fails to live up to their most promising release with ‘About Last Night’
Contributing writer Carolina Barreto reviews Sleeper Agent’s “About Last Night.”
Real Estate’s ‘Atlas’ reflects spectrum of human emotions
Contributing writer Maria Adeyefa-Manino reviews Real Estate’s “Atlas.”